WRITER: Camilla Whitehill

COMPANY: Longsight Theatre

DIRECTOR: Sarah Meadows

SET & COSTUME DESIGNER: Justin Nardella

ASSOCIATE DESIGNER: Catherine Morgan

SOUND DESIGNER: Benedict Taylor

VENUE: The Old Red Lion Theatre, London
OPENING DATE: 1st November 2016

PHOTOGRAPHER: Nick Rutter

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Nominated for an Offie (Off-West End) Award - Best Lighting Design

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"What is most impressive, visually speaking, is Jamie Platt’s lighting design. His work is extraordinary, for what is essentially a room upstairs in a pub. Subtle transitions between different scenarios help the story to flow smoothly... The sense of isolation that’s created when she tells the story of her drive to the flat in Barking is superb."

Debbie Gilpin - PleaseMindTheBlog.wordpress.com - 07/11/2016

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"Similarly exceptional is the lighting design of Jamie Platt. It’s particularly interesting to watch the play of lights on the black plastic curtain strips and the shadows they make; the moments with Fuller on her back on the bar resonate in their powerful lighting state."

Viola Patrick - Live Theatre - 18/11/2016

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"The challenge with such a small multi-storey acting space was easily matched by Jamie Platt‘s dynamic lighting plot. A minimal lighting rig, never distracted but kept pace, we could always see Lucy while the world around her changed from nightclub deep colours to softer moods, to bold stark cold reality."

Richard Lambert - TheatreReviews.Design - 03/11/2016